Of course, after one of the scariest times in modern history, even the most sensitive audience should have the courage to sit down and watch a few horror movies - and there are many great films to choose from. What's the best part? You can sit comfortably at home with the light on and eat a bucket of free popcorn.
It is not surprising that many of the films on the list take place at home; This is the place where we stayed the longest this year. For some, it's a refuge, but for others, it's a hotbed of terror that could erupt at any time. These horror movies cover all levels of emotion, from sadness to guilt to extreme claustrophobia, which we can all feel, not only this year, but always. These gifts include grieving brothers and sisters, survivors of domestic violence, and mothers struggling for their families. But just before things became completely hopeless, two unlikely friends decided to face the undead. The horror movies here are not suitable for timid people, but they all have one thing in common: courage.
By the end of 2020, fasten your seat belt and start playing with these terrible contributions. You'll be glad you did, even if you want to look under the bed before you go to sleep.
Darkness and evil
Screenwriter and director Bryan Bertino (stranger) returns. You will be scared out of your mind in this emotional horror movie set on a quiet farm in anytown, USA. There, we saw Louise (played by Marin Ireland) and her brother Michael (played by Michael Abbott Jr.), who did not know how long they had been estranged and reunited under the severe situation that their father was about to die. Almost immediately, Bertino gave us the feeling that there was something wrong with the amazing silence in the film, and there was no wind blowing outside. As Louise and Michael began to experience more and more terrible visions, we soon realized that father's death was not the only thing to fear. The completely frightening "darkness and evil" matches every word in the title. It tells a story of abandonment and loss of loved ones, which will still resonate today.
hut
Sadness prompted screenwriters and directors Severin Fiala and Veronika Franz to direct this nightmare film, about two brothers who lost their mother (LIA McHugh and jaeden Martell), who immediately established a new relationship with their father's mysterious fianc é e (Riley Keough). With the three people working together in the house of the same name, more and more terrible and unexplainable things happen, leading brothers and sisters and their stepmother to doubt each other. Rocky is a completely scary movie. Through its terrible ending, you will also see that every character has a little side.
ruins
Writer and director Natalie Erica James keenly examines the mental decline caused by dementia and immerses the audience in a family story, which is a devastating and terrible claustrophobia. We met Edna (Robin Nevin), an elderly woman who struggled to grasp reality when her worried daughter Kay (Emily Mortimer) and granddaughter Sam (Bella hiscott) came to see her. They were devoured by the terrible dilapidation of the house, and by everyone and everything inside. James kicked the haunted house type to a new level of cold and emotion.
32 Malasana Street
The director Albert pint ó is obviously inspired by the retro haunted house of Wen Ziren's "call" series, because 32 malasa ñ a street is full of real terror in every corner of its famous house. The story takes place in Spain in 1976. Pint ó introduces us to a family. When they have to face the creepy ghosts living among them, they are already trying to overcome the emotional trauma of the past and the present. Pint ó - with screenwriters Gema R. Neira, David orea, Salvador S. Molina, and ram ó n Campos - got a little stuck trying to build a clumsy background story of ghosts, but he succeeded in making a reasonable ghost movie that you might only watch with the lights on.
Metamorphosis
This is another classic horror scene successfully transformed to cater to modern audiences. Hong - sekim, a South Korean filmmaker, adopted the classic plot of drug possession and upgraded it to a loving family. In John Carpenter's fluent monster, the fear of deformation comes from the high anxiety of each relative - the source of evil slides from one to another as they vainly try to identify and expel it. Jin Zairu finally tortures the evil psychology that already exists in the family before an entity touches the family. This movie will make you look at your brothers and sisters from the side, especially your parents.
